Lastly, there is a funked up version of Tequila by Button Down Brass that makes you want to dance like John Travolta in Mia Wallace's house in Pulp Fiction. There's even The Beach Boys singing Let's Go Away For A While, Blur's Intermission, Sam and Dave's When Something Is Wrong With My Baby, and Nowhere to Run by Martha and the Vandellas, which was a big hit on the Good Morning Vietnam soundtrack as well. Spanning a few decades of music, you can expect to hear Queen's Brighton Rock, Beck's Debra as well as T.Rex's Debora. When listening to this song, you immediately want to hop in the car, roll down the windows, hit the pedal, and row through the gears as it amps you way up. It all begins with The John Spencer Blues Explosion's Bellbottoms that hits those two rock notes hard and fast, along with a funky guitar medley and a groovy bass line. There are a whopping 30 tracks included in this soundtrack on vinyl, spanning both records that play perfectly with the film or without it. (I used the Technics SL-1200MK2 Turntable for listening purposes.) There are liner notes, track information, and a note from Edgar Wright on the sleeves.
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The record also includes a digital download of the soundtrack, including Run the Jewels' Chase Me. There are two black colored records in the album with illustrated sleeves. The Baby Driver LP comes with an amazing Gatefold fully illustrated LP cardboard sleeve with artwork by Rory Kurtz. Of course, how can you forget The Doors' Alabama Song in The World's End where everyone is pub-crawling the golden mile, drunk off of beer and the past? Needless to say, Edgar Wright knows his music and uses it as an important part in every film, which brings us to Baby Driver, which I believe is Wright's first musical film. Then along came Scott Pilgrim, which gave Beck and Nigel Godrich an outlet to be creative with their impressive indie rock creations such as Garbage Truck. In Hot Fuzz, we were delighted with Goody Two Shoes by Adam Ant and Solid Gold Easy Action by T.Rex. With Shaun of the Dead, he made me look at Queen's Don't Stop Me Now differently, as everyone was beating zombies with pool cues to the rhythm of the song and the pub lights would flash on and off to the beat of the music.
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As long as Edgar Wright has been on the scene, his films have been full of amazing music that cover most genres and decades. Whether it be John Williams' score to Star Wars or the rock and funk classics of Quentin Tarantino's Pulp Fiction, we can all agree that music really takes the visuals of our favorite movies and adds a big emotional tone to every scene. They add an extra layer of entertainment and can even become a central character to the film, such as with Edgar Wright's Baby Driver.
Soundtracks are an integral part of any movie.
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